If, like me, you think country-punk pioneer John Doe is the fuckin' Man, then you're already excited about his new collaboration with space cowboys The Sadies (due Tuesday). If you don't, then what is wrong with you?
Granted, John Doe's solo career has been hit or miss at times, but as a whole, his post-X body of work has more than lived up to the standards set by his former band. He continues to mine a rich vein of American musical influences and graft them together effortlessly. In the post-alt-country universe, that may not seem revolutionary, but few pull off the punk/country intersection as convincingly as Doe.
The song choices on Country Club (mostly covers) are audacious, to say the least. Wiser men would steer clear of classics like "Stop The World and Let Me Off", "The Night Life" and "Help Me Make It Through The Night." But I'll be damned if Doe and The Sadies don't find new ways to work over these standards, without really screwing around with the arrangements. There are a surprising number of country weepers, considering that Doe is backed by one of the shit-hottest bands on the planet. But after a few listens, even the slower numbers allow The Sadies to shine through in unique ways (check out the so-reverbed-it's-almost-psychedelic guitar work on "The Night Life"). However, if you're looking for some of that hot shit, skip straight ahead to the reactionary Haggard classic "Are The Good Times Really Over For Good" (featuring Kathleen Edwards on vocals).
Let's face it: I'm a sucker for any record that includes "Help Me Make It Through The Night." If you can't already tell, I'm pretty much a sucker for anything that involves John Doe or The Sadies. So you might say this is a bit of a dream collaboration from my vantage point. Maybe in the future, they'll write some original material together, but this'll do for now.


